| Shock | |
|---|---|
Film Poster |
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| Directed by | Alfred L. Werker |
| Produced by | Aubrey Schenck |
| Written by | Screenplay: Eugene Ling Story: Albert DeMond Dialogue: Martin Berkeley |
| Starring | Vincent Price Lynn Bari |
| Music by | David Buttolph |
| Cinematography | Joseph MacDonald Glen MacWilliams |
| Distributed by | Twentieth Century Fox Film Corporation |
| Release date(s) | January 10, 1946 (U.S.A.) |
| Running time | 70 minutes |
| Country | United States |
| Language | English |
Shock is a 1946 film noir directed by Alfred L. Werker.
Contents |
The film tells the story of a psychiatrist, Dr. Cross (Vincent Price), who is treating a young woman, Janet Stewart (Anabel Shaw), who is in a coma-state, brought on when she heard loud arguing, went to her window and saw a man strike his wife with a candlestick and kill her. It also stars Lynn Bari as Dr. Cross's nurse/lover, Elaine Jordan.
As Stewart comes out of her shock, she recognizes Dr. Cross as the killer. He then takes her to his sanitarium and at Elaine's urging, gives Janet an overdose of insulin under the pretense of administering insulin shock therapy. He can't bring himself to murder her in cold blood, though, and asks Elaine to get the medicine to save her. Elaine refuses, they argue, and he strangles her. Dr. Cross saves Janet's life, but now faces two murder charges.
Above and beyond the typical characteristics of the horror film genre, reviewer Bosley Crowther of The New York Times took particular offense to the film's treatment of Price as a psychiatrist who attempts to do away with his patient, a woman who has lost her mind after witnessing the murder her own doctor had committed. Coming in the wake of World War II, in which so may people had suffered shock and could benefit from treatment of their anxieties, Crowther asked the "critical observer to protest in no uncertain tones" the movie's "social disservice" in its fostering "apprehension against the treatment of nervous disorders", deploring the lack of consideration for those in need of treatment evidenced by producer Aubrey Schenck and distributor Twentieth-Century Fox.[1]
Philip K. Scheuer of the Los Angeles Times took no such offense, calling the film a "nominal 'B' feature", which screenplay author "Eugene Ling and Director Alfred Werker have imbued... with a grade-A suspense".[2]